Date of Birth:October 22, 1943
Place of Birth:Paris, France
French actress noted for her archetypal Gallic beauty as well as for her roles in films by some of the world's greatest directors.
Deneuve was the third of four daughters born to the French actors Maurice Dorléac and Renée Deneuve. Catherine Deneuve landed a small role in the 1957 film Les Collégiennes ( The Twilight Girls) and began her film career in earnest in 1960 with an appearance in Les Petits Chats (“The Little Cats,” released in English as Wild Roots of Love). Catherine Deneuve became an international star with her acclaimed performance in director Jacques Demy's romantic classic Les Parapluies de Cherbourg (1964; The Umbrellas of Cherbourg).
During the 1960s and '70s, Deneuve was in great demand by several of the world's leading directors, such as Roman Polanski ( Repulsion, 1965) and Terence Young ( Mayerling, 1968). Catherine Deneuve worked for Luis Buñuel on the highly acclaimed French-Italian coproduction Belle de jour (1967) and the equally acclaimed French-Italian-Spanish coproduction Tristana (1970). Catherine Deneuve appeared sporadically in American films, perhaps most memorably in The April Fools (1969) with Jack Lemmon and in Hustle (1975) with Burt Reynolds.
Despite her international résumé, most of Deneuve's films were made in France. Catherine Deneuve worked with François Truffaut in La Sirène du Mississippi (1969; Mississippi Mermaid) and Le Dernier Métro (1980; The Last Metro) and also appeared in Demy's Peau d'éâne (1970; Donkey Skin), Jean-Pierre Melville's Un Flic (1971; Dirty Money), and Claude Berri's Je vous aime (1980; I Love You All).
Catherine Deneuve few films of the 1990s include Indochine (1992), for which she received a best actress Oscar nomination, and O convento (1995; The Convent), for acclaimed Portuguese director Manoel de Oliveira. Deneuve enjoyed the film Breaking the Waves (1996) so much that she asked its director, Lars von Trier, for a role in one of his films. The result was her part in Dancer in the Dark (2000), which won the Golden Palm at the Cannes Film Festival. Among her notable work in the 21st century was a bravura performance at the head of a star-studded cast in François Ozon's 8 Femmes (2003; 8 Women) and her appearance in smaller roles in de Oliveira's Je rentre à la maison (2001; I'm Going Home) and Une Filme falado (2003; A Talking Picture).
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